Interviews
Interview with Music Radar at Frankfurt Musikmesse, March 2012
Interview in Computer Music Magazine (no link yet)
Post-gig chat at Coexist Music and Media Centre
Reviews
Live Review at The Louisiana, March 2011
Suzy's loops build swiftly and unobtrusively, fiendishly complex and instantly accessible, to create irresistable pop feather light and fathoms deep... when you factor in genuine star quality you've got a name to shout from the rooftops.
Julian Owen, Venue Full review available here
Live Review with full band at Bristol Acoustic Festival, January 2011
Backed by the intricate pickings of her band The Memory Box, Suzy conjures paper butterfiles, coloured glass and letters folded under floorboards. Her intelligent songs recall an era of kaleidoscopic dreamlike folk, her ranging vocals the arcs of birds at dusk.
Anna Rutherford, Venue Full review available here
Live Review at The Folk House, March 2010
...Suzy is on a fantastic journey of her own, juggling guitar and loop station with unerring confidence... quirky folk-pop which leaves the audience suitably warmed.
Katie Nicholls, Venue Full review available here
YouTube Video Review in German online magazine 'Feingut', May 2009
...Suzy Condrad is not just rather pretty. Her honest, authentic songs and precise delivery hint at an inner beauty which needs no disguise, should be seen and wishes to be heard... 'Hotline', performed with a loopstation, is spine-tingling.
Reviews - Stop The Carousel EP
Live Review at The Lousiana, 2008
Suzy Condrad - sitting with poise and about to be unavoidably tagged 'a dusky beauty' - begins a song with spider web-fine, finger-picked guitar, and implores that someone stop the carousel from turning. Decorous second guitar and softly chorusing backing vocals add their weight to the plea. Later, houses fall down and rivers rise. Voiced with depth and the precise, just-so phrasing of 60s folk-pop, it's melodrama of the most gently seductive kind.
(Julian Owen, Venue)
Review of Stop the Carousel pre-release, 2008
A genuine grandeur here, skilfully constructed from the smallest or sounds... restraint and lovely pitching... sophisticated folk music.
Kid Pensioner, Venue Full review available here

